The High Definition Surround Recordings are Produced, Engineered and Edited by Bert van der Wolf of NorthStar Recording Services, using the ‘High Quality Musical Surround Mastering’ principle. The basis of this recording principle is a realistic and holographic 3 dimensional representation of the musical instruments, voices and recording venue, according to traditional concert practice. For most older music this means a frontal representation of the musical performance, but such that width and depth of the ensemble and acoustic characteristics of the hall do resemblance ‘real life’ as much as possible.
Some older compositions, and many contemporary works do specifically ask for placement of musical instruments and voices over the full 360 degrees sound scape, and in these cases the recording is as realistic as possible, within the limits of the 5.1 Surround Sound and the AURO-3D 9.1 standard. This requires a very innovative use of all 6 loudspeakers and the use of completely matched, full frequency range loudspeakers for all 5 discrete channels. A complementary sub-woofer, for the ultra low frequencies under 40Hz, is highly recommended to maximally benefit from the sound quality of this recording.
Each one of us has different passions. However, we connect to people that have the same desire to reach their goal as we have ourselves.
Passionated and devoted to classical music, we aspire only perfection. Putting our all into producing only the best music.
Quirine Viersen returns to the cello suites of Johann Sebastian Bach on the new la- bel BarcaNova Records. She decided she wants to share with you the development she has gone through after deep inner work. Just as the cello suites were a new journey for Bach, they signify now the same for her. “How you are as a person, will reflect in the way you play the music. My story has changed and together with my journey also the way I play. More than ever before I have a story to tell.
“It was in 2010, just after the birth of her eldest daughter that Viersen recorded Bach’s cello suites for the first time on the label Globe - a beautiful and precious blueprint of her life at that time. “Those recordings are very much connected to the beginning of my new life. Your own life renews through the new life you gave. “
But after the birth of her twin daughters two years later, Viersen found herself in desperation about her life as a professional musician. She was less visible on stage because of motherhood and wondered why she wanted to play cello anyway. The music of Bach proved to be her anchor during this challenging period in her life. “Bach gave me, time and again, life energy. Through his purity he brought me back to my own purity and closer to the answer on my questions. “